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A View to Memory:
The New Holocaust History
Museum
by Leah Goldstein
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Photo: Ardon Bar Hama, courtesy
Moshe Safdie Architects |
When planning the architectural design
of the new Holocaust History Museum building, world-renowned
architect Moshe Safdie was faced with considerable challenges
outlined in Yad Vashem’s development program: to design a museum
structure that would combine the Holocaust’s historical narrative
with an appropriate and effective experience for the thousands of
individuals who visit Yad Vashem daily; to make the museum an
integral part of the visitors’ route through the campus; to design
the Hall of Names as an essential component of the museum; and to
maintain the character of the surrounding natural landscape, as
well as the prominence of the Hall of Remembrance—the focus of
commemoration at the site since its early years.
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Inside the new Holocaust
History Museum |
In response to these considerations,
Safdie developed a concept of an underground scheme. The design
consists of a prism-like triangular structure that penetrates the
mountain from one side to the other, with both ends dramatically
cantilevering into the open air. The visitor enters the museum via
a bridge from the Avenue of the Righteous Among the Nations. Once
inside, a series of diagonal channels cut in the floor of the
prism—introduced by the museum’s exhibit designer Dorit Harel, of
Dorit Harel Design Inc.—guides the visitor through each of the
eight-meter high underground galleries depicting different
chapters of the Shoah. All the while, both ends of the
museum remain visible, thus maintaining the linear character of
the events.
“The triangular form of the structure
was chosen to support the pressure of the earth above the prism
while bringing in daylight from above through a 200 meter-long
glass skylight, ” explains Safdie. “The museum’s planners
requested that it not be immersed in darkness. The skylight allows
gleams of daylight to contrast with darker areas required for
multimedia presentations.” Within the galleries, light enters
through localized skylights varying from diffused to clear glass,
depending on the requirements of each exhibit.
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The new Hall of Names |
At the end of the historical narrative
is the Hall of Names, which functions as a repository for the
Pages of Testimony of millions of Holocaust victims, a memorial to
those who perished, and—in a separate room—a place where visitors
can conduct searches of the Shoah Victims’ Names Database.
The main Hall is composed of two cones: one extending ten meters
skywards, echoed by a reciprocal well-like cone excavated into the
natural underground rock, its base filled with water. Visitors
enter the Hall in the circular space—nine meters high and eleven
meters in diameter—between the two cones onto an elevated
ring-shaped platform. From here they are able to view the upper
cone, where a display, designed by Dorit Harel, features some 600
photographs of Holocaust victims and fragments of Pages of
Testimony; this is reflected in the water at the bottom of the
lower cone, commemorating those victims whose names remain
unknown. Surrounding the platform is the circular repository,
housing the Pages of Testimony collected so far, with empty spaces
for those yet to be submitted—room for six million Pages in total.
The entire structure of the
museum—floors, wall, interior and exterior—are reinforced
concrete. No other finishes, insulation or any other cladding were
added to the basic concrete shell. Throughout the prism, the
triangular cross-section varies, becoming narrower at the center.
The warped surface formed by this variation, amplified by a gently
sloping floor, creates a changing sequence of spaces and gives the
illusion of descending deep into the mountain. As the route nears
its northern exit, the floor begins to ascend and the triangle
opens up again, with the exit bursting forth from the mountain’s
slope to a dramatic view of modern-day Jerusalem.
The new Museum is scheduled to open in
March 2005.
Copyright ©2004 Yad Vashem The Holocaust
Martyrs' and Heroes' Remembrance Authority |